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GARBAGE GARDENS PRESENTS:

Issue One

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ART AND MUSINGS ABOUT

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FEAR

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A Letter From The Editor

Spring of 2018, I had a mental breakdown. For years I've struggled with pinpointing exactly what caused it. I was a workaholic in a loveless relationship in a roach infested apartment uptown. If I wasn't working I was helping my family, brainstorming creative ideas for other people or getting as drunk and/or stoned as humanly possible.

 

 Maybe it started when the yellow cab I took home crashed into the divider off the exit for 125th street on the Westside Highway, when I walked home after rattling around the backseat because I had no visible injury. Maybe it was seeing my one cool uncle in a casket, though I don't remember feeling much while I was sorting through the zipping personalities, fielding tears and gossip, sharing flasks and cigarettes. Maybe it was in all of the in-betweens, the takeout boxes and dutch guts on my table like candles and potpurri, the ash in my keyboard. Perhaps watching my mom struggle to walk and breathe, watching the world get simultaneously more hostile and cartoonish. All of this to say that I'll probably never have a proper autopsy of the big breaking point, but a bunch of these things swirled in the toilet bowl that is my brain until it all flooded over.

I do remember the day it really ~started happening~. I was going to dinner with my ex and my cousin, our art collective had just finished and submitted a music video that went on to do really well (maybe a story for another day, let's stay on track now Amber) and we were celebrating at Pio Pio in midtown. Before I could order some ceviche and a Modelo, a rush hit me like a truck. 

 

There was something behind my eyes that couldn't let me take in any of my surroundings, it was tunnel vision, I was in a fish bowl. I could smell a million things at once, all of them making me feel sick and yet I knew I couldn't breathe. My face and hands were made of fizz, my mouth went completely dry even after I chugged a glass of water. I ended up spending that evening outside, chain smoking cigarettes and crying on the phone to whoever would listen that something was wrong with my brain. I was sure that I was going to die, and worse, I'd seen flashes of everyone I knew dead too. Some people I was sure were going to happen sooner rather than later and I couldn't parse if dying or survivor's guilt was harder to swallow.

 

The city I'd grown up in, the lights and the noise and the backdrop of chaos that used to soothe me had suddenly taken new and terrifying shapes. Existing at all was a too-tight itchy sweater, digging into every pore with something wiry. I spent days after living in an anticipation that this feeling was looming in the distance, ready to come take over again and render me, the world's most stable person, completely helpless. I couldn't deal, I couldn't be, let alone be tasked with being smart or strong or reliable. Everything that I'd tethered to my sense of self was gone and suddenly I was just in the abyss, nothing to stand on. Who was this person inhabiting my body, this person who was suddenly terrified of everything? Spoiler alert, it was me all along. Fear was my soft underbelly and I was on my back. 

 

I won't bore you with the all of the details of what it took to get out of that paralysis of fear, the jaws of which almost ended me completely. I'll say this: fear is still a thing I look in the eyes of every day, a part of me that's controlled but not bested. Creating and consuming horror and other fear-related genres, making fear a study and an artform has been a huge turning point for me and the inspiration behind creating this issue of The Can. I love seeing different flavors and textures of art come alive in one space where they can be appreciated and a truly human experience can be shared. 

 

The world has become a scarier place since 2018; 2025 has left anyone with a shred of a soul with a lot to fear. Rights are at stake, bigotry and greed are justifying massacres and trafficking, fascism hangs over us, a threat getting louder and louder. There's much to fear and even scarier, much to do in an effort to stop it. 

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Anyway, I hope you enjoy this labor of love.

xoxo, Amber

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"In 1951, my uncle Frank moved down to Eureka Springs, Arkansas, to manage The Crescent Hotel. As a parting gift, his father gifted him a brand new Kodak Pony camera. It was quite an expensive item back then, and Frank cherished it. Anytime I picture my uncle, he has that sacred antique dangling from his neck. After he died last summer, my cousins and I visited his home to look through his storage, and while in the attic, we came across a box with a stack of Life magazines, matchbooks from the hotel, and a musty photo album. Regrettably, we never located the camera, but this eerie photograph was truly breathtaking. I knew there were supposedly "supernatural events" at The Crescent, but I always thought that was a scam to drive up tourism. I wish Frank were around to explain this!"

submitted by @nicholas35mm

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“Haunting”
Photography by Andrea Fernández
@kocomagik2.0
Inspiration: hallow, empty, dark, stillness 
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"A Confession"
Shot on VHS, Captured & Edited
by Amber
@thegarbagegardens

"A Threat"

Shot on VHS, Captured & Edited

by Amber

@thegarbagegardens

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"A Promise"

Shot on VHS, Captured & Edited

by Amber

@thegarbagegardens

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UNTITLED
submitted by T
stylized by Amber

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"Performance Anxiety"
Painting by Amber
@thegarbagegardens
Acrylic on Canvas, 30x24 in.

For Sale, Inquire Here

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“Unnatural Habitats”
A Photography Series by Amber

@thegarbagegardens

Captured at the Antique Emporium 

Asbury Park, Summer 2025

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"Beauty in Gore"

A photo of prosthetics (you can buy them!) crafted by my favorite sfx artist @ritam626

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"Fear! In my opinion, fear is truly a powerful motivating factor of life. It can be argued, that if not for fear of extinction from the frigid weather conditions that cavemen wouldn’t have sought out ways to produce heat. Fast forward a few million years to the time of slavery; the Underground Railroad was established to aid enslaved people in their escape to freedom! Certainly if not for the ever looming prescience (the fear of slavery, cultural eradication and/or worse: death) people like Harriet Tubman and William Still would not have risked their own demise to help liberate 1,100 slaves into freedom. 

 

From then to now, there isn’t a soldier strapped for war not afraid to die. I feel and it has been said; this grants them an edge and keener senses. Partnered with driven purpose, victory is imminent. I say that to say this: I have been afraid of few things in my life, like snakes. 

 

I am a hip hop artist. There hasn’t been a time before I record or perform that I wasn’t afraid. Still, that hasn’t stopped me yet! One of my most motivating musical inspirations is Detroit Hip Hop Artist Eminem. On his 2002 hit song “Lose Yourself”, he asks:

“Look, if you had one shot, one opportunity

To seize everything you ever wanted

One moment

Would you capture it or just let it slip?”

I ask myself the same exact thing every time before I do something that scares me; Or rather tests me to alter my way to think or act in order to complete a big/foreign task or goal. I take a deep breath. Then I do it.

 

So with this, I take away all my fears."

​Submitted by @chrisatthecon

"Heart, Hustle and Humor"

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Leo's List: Top 5 Horror Icons

By Leo Crespo, @phantomthief20

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#5: Candyman

Kicking this off with a trailblazer, the first black slasher. Candyman was one of the few that had solid motivations for dispatching his victims. He has a sympathetic backstory that makes you want to root for him in a strange and twisted way. The gothic haunting beauty of the musical score and Tony Todd (R.I.P. Legend) really brought him to life so he could bring his victims to, well, you know.

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#4: Michael Myers:

He's the template for the slasher villains: slow, silent and hulking. Halloween wasn't the first slasher movie but it put the subgenre on the map. Halloween gave us all of the tropes - the final girl and the unstoppable-maybe-immortal killer that films like Friday the 13th and Terrifier have taken liberties with. Easily the greatest most memorable theme music too.

#3: Pinhead:

Pinhead has an unconventional design that's memorable and unnerving, yet somehow cool. Doug Bradley is brought gravitas to the role, starting as just a member of the cenobites but through his popularity expanded his role. He served main character energy so it's only right that he fronted the sequels.

#2: Pazzuzo AKA Regan McNeil:

The Exorcist put supernatural exorcism movies on the map and it's many imitators haven't topped it since. It was so controversial for it's time because of it's taboo approach to religion. The first movie was so shocking that people ran out of the theater or puked in their popcorn buckets - something that film makers nowadays aspire to. There's a reason this was the first horror movie to be taken seriously at the Oscars and even though she was a "supporting actress," Linda Blair's portrayal of Regan carried all of that terror, i.e. the staircase scene.

​​​​​​​​​​​​​​​​​​​​​​​​​​​#1: Freddy Kreuger

A Nightmare on Elm Street put an innovative spin on the slasher genre by incorporating the supernatural and the subconscious. The nightmare kills were innovative and incentive. On top of that, Freddy was the first charismatic slasher. The scariest killers are the ones with charisma. Robert Englund is the only and definitive Freddy Kreuger, and he lives in my nightmares forever.

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Cocktail Corner

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Click To Listen To The Playlist For This Issue

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